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Introduction
The SAC imaging camera
represents the easiest way to break into
astrophotography. The cameras are easy to use but its
more advanced capabilities will provide you with years
of enjoyment. This article is not meant to replace the
instructions that come with the camera but instead to
give you an overview of the basic setup, testing and
operation of the camera. This article covers the
operations of all the SAC cameras including the SACIV,
SAC7, SAC7b, and for the most part, the new SAC8. The
SAC8 is a highly sensitive monochrome CCD camera and
it's operation differs slightly. Refer to the SAC8
instructions for the differences but mainly the shutter
control is adjusted on the screen in milliseconds, and
the gain by a knob on the control box.
The SAC excels in high
resolution imaging due to it's small pixel size. Its
capability to record AVI movies will give you a high
number of short exposure images in a very short period
of time. This is a great benefit as it considerably
reduces the demands on your mount and seeing conditions.
A typical ten second AVI movie may contain over 150
images. You can easily weed out the bad frames using
software described later in this article.
The AstroVideo program
that comes with the camera is the only software needed
to operate it. It comes with a 30 day free trial and
must be registered. The registration is free, quick and
easy. Instructions for registration can be found through
the message box provided when you start AstroVideo, or
by pulling down the HELP menu. A different registration
code must be obtained for each computer that AstroVideo
is loaded on.
Before jumping in, it is
advisable to do some basic operational tests to check
out your system and get you familiar with it's operation
before getting under the stars with it.
Initial Camera
Operational Test
The initial test should
take place at your computer to see if it is operating
properly. You can do this at your desk without a
telescope.
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First load the software as per the instructions included on the CD.
This is important; DO NOT PLUG THE CAMERA INTO YOUR
COMPUTER UNTIL AFTER THE DRIVERS ARE LOADED FROM THE
CD. Doing so will cause Windows to load its own
driver and the camera may not work properly.
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With the drivers and the AstroVideo program loaded, power down your
machine, plug the camera into the USB port on your
computer. For this test, the parallel cable need not
be connected as it is used for long exposure shutter
control.
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If you are using a SAC7b, plug the cigarette lighter adapter into a
power supply of 12VDC capable of 3.5 amps.
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Start your computer. If you are using the XP operating system, you
may see some warning messages just after your
operating system loads. Disregard these messages.
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Start the AstroVideo program.
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Pull down the DRIVERS menu and select MICROSOFT WDM IMAGE.
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After a moment a viewing pane will open up on the
lower left side of the screen. This is where the
live video will take place. It is called the Input
Window. It may be dark but that's okay.

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Pull down the VIDEO menu and select VIDEO SOURCE. A window will
appear showing your camera controls. Your screen may
differ slightly depending on the driver and version
used.
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Grab the blue title bar of this window and drag the window to the
right side of the screen so that you can see the
Input Window.
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If the AUTO EXPOSURE checkbox is checked, uncheck it.
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Grab the GAIN SLIDER and move it to about half.
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Grab the SHUTTER SPEED slider and move it all the
way to the right.

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Uncap the camera and point it near a light source. The preview pane
should go white.
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Place your hand over the open end of the camera to block light from
entering it. The preview pane should go black.
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If everything has worked up until now your camera is
operating normally.
Getting Familiar with
Camera and Software
By
far, the best way to get familiar with your camera is to
test it outside during the daytime, or with your
telescope pointing out the window. It is much easier to
get familiar with the camera and software in this
fashion instead of doing it in the dark. You can also
interface the camera to a microscope if you have one.
Basic digital microscopy is fun and is another area that
many astrophotographers never consider.
Make sure that any
sidereal or other tracking motors are turned off during
this experiment.
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Start by placing a low power eyepiece into your telescope and
lining up on a distant object. Focus it and place
the object dead center in the field of view.
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Switch to a higher power eyepiece. A 6-9mm would be appropriate.
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Again focus the target and place it exactly in the center of the
field of view.
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Remove the eyepiece and replace it with the camera.
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Start the AstroVideo program
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As before, load the driver and open the VIDEO SOURCE screen.
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Grab the blue title bar of this window and drag the window to the
right side of the screen so that you can see the
Input Window.
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If the AUTO EXPOSURE checkbox is checked, uncheck it.
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Grab the GAIN SLIDER and move it up to about 1/3rd its
travel
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Grab the SHUTTER SPEED slider and move it to the right until you
can see some light in the preview pane. If you cant
see any light, slide the gain and shutter controls
all the way to the right.
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Your target will be out of focus because the camera will not reach
focus at the same point as your eyepiece. On most
telescopes you will need to run the focuser in. On
SCTs and MAKs, usually you have to turn the focus
control clockwise. Sometimes (especially in the
dark) even though you may be on target, if your
telescope is far enough out of focus you will not
see any light in the preview pane.
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Adjust the focus. As you start to reach focus the object will
appear in the preview pane. As you get closer to
focus the object will get brighter and sometimes
saturate the camera. If, and once this happens,
slide your gain control down to about 1/3rd
to ½ its travel. Continue to adjust your focus and
shutter speed control until you see the object
focused in the preview pane at the appropriate
brightness.
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There are some camera/telescope combinations that may have trouble
reaching focus. If you can’t reach focus, refer to
the FOCUSING PROBLEMS section later in this article.
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Close the VIDEO SOURCE window.
You may now capture some
images if you like. To capture an image, press the
capture button located on the toolbar. The camera will
pause for a moment and then your image will appear on
the right viewing pane. If you have AUTO SAVE selected
in the SETUP SCREEN then your image will be
automatically saved to the specified directory. If not,
you may pull down the FILE MENU and save your picture
there.
After capturing an image you must click the preview
button to resume live video.

If
you have COLOR IMAGES selected in the SETUP SCREEN,
three files will be saved to disk. The will be one for
red, another for green and another for blue. These
images can be later combined into a full color image
during processing. If you have COLOR IMAGES unselected,
only one file will be saved. All files (automatically)
saved will be in 32 bit FITS format. FITS is the
standard for all astro-imaging applications. If you save
the image using the FILE MENU, then you may save it in
BMP or JPG format.
Your First Nighttime
Shoot
When you go outside at
night with the camera for the first time, follow the
same instructions that you used for the daytime test.
The only difference is that while you have your high
power (6-10mm) eyepiece in, use that opportunity to
assess your telescope's tracking. If the target
constantly drifts from your field of view you will have
a difficult time using the camera. Make sure that you
are polar aligned properly and that your tracking motor
is engaged.
Start with a bright
target, a planet or the moon. I usually recommend the
moon as it is a bright target, easy to find and you can
get some stunning lunar pictures even with your first
attempt. Shoot along the terminator between day and
night on the moon. The light will be at an acceptable
level there and targets are easy to focus. Use a moon
filter if necessary on the front of the camera. You will
get most of your best images shooting along the
terminator.
Once you have
successfully taken your first lunar pictures, try
placing a 2x barlow in front of the camera (if viewing
conditions permit) and refocusing.. This will double
your f ratio (and magnification). You usually wont need
to use any type of light reduction filter but targets
may look a little out of focus and are more difficult to
center. You may wish to lower the speed of your mounts
panning controls so the target wont speed off the screen
at the touch of the button. On the up side, using a
barlow will widen the “critical focus” area.
Once you have your first
shoot under your belt, you may wish to use some of the
advanced features of the camera, long exposure and movie
captures. Consult the manual for this as it is beyond
the scope of this article.
Here are samples of some average lunar images taken with
a SAC7 and an Orion Atlas 10" reflector. These are 10
second AVI movies processed with Registax. These images
have been reduced.

Plato and
The Apline Pass

The
Appenines

The
Straight Wall
Focusing Problems
Focusing problems are normal and can happen with any
camera. For the SAC, this can sometimes happen with a
Newtonian telescope/ SAC7b combination. In these cases
the focuser will be racked in completely and still not
achieve focus. If this happens to you, do whatever is
necessary to get the camera closer to the telescope. On
some focusers, the actual eyepiece barrel can be
unscrewed from the focuser revealing a 42mm T thread
that will screw directly into the front of the SAC if
you remove it's nosepiece. The Konus 1793 8in reflector
has such a setup. If you are really stuck on this issue,
contact Bill at SAC Imaging and he will modify your
camera by elevating the CCD chip slightly.
service@sac-imaging.com
In the meantime, you can use a barlow or eyepiece
projection setup to achieve focus. Sometimes even the
use of a color filter screwed into the nosepiece may do
the trick.
If you have trouble
reaching focus with a refractor, follow these
instructions.
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If your focuser is racked all the way in and still cant achieve
focus, remove the 90 deg. diagonal (if you are using
one) and insert the camera directly into the
telescope.
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If your focuser is racked all the way out and still cant achieve
focus, try using a 90 deg. Diagonal between the
camera and telescope.
Sometime you may have
difficulty if you space the camera too far from the
telescope using diagonals, prisms, off axis guiders,
flip mirrors and the like. I've noticed this on
refractors and some Maksutov telescopes. Try not to use
diagonal mirrors if possible.
I haven’t run into a
situation yet where an SCT would not achieve focus in
any configuration.
Equipment Configuration,
Image Processing and Information Resources
Telescope Mount
Almost any
type of telescope mount can be used if you image the
brighter targets, however the proper operation of your
telescope mount is critical to your success. Try to
adjust as much backlash as possible out of the gear
train. When you setup, level the mount and get a good
polar alignment. If you don't, you will be spending all
of your time on the panning buttons chasing declination
drift when you should be focused on the software and
capturing images. This is especially important if you
are running the camera at higher powers.
For long exposure astrophotography you should use a good
Equatorial mount, possibly with autoguiding. An
Equatorial mount, or a fork mount on a wedge is best as
it will also reduce the field rotation to nearly
nothing.
Optics
Clean all of your optics before any imaging session,
especially optical surfaces that are close to the camera
like barlows, filters, focal reducers and diagonals.
Even a small speck of dust will create huge "dust motes"
in your images that are very difficult to remove (if at
all) in processing. Use an air bulb and a fine optical
brush. I have a special set of filters, barlows, etc
that I use ONLY for imaging. They only make it outside
if I am imaging and I keep them in pristine condition.
Nothing is more irritating to me than having dust moted
images.
Image Processing
Image
processing is an art form in itself. Research this
deeply. The two most important points are dark frame
subtraction (image calibration) and image stacking.
These are common and simple techniques used to reduce
noise and enhance the quality of your images.
There is plenty of free information on the Internet as
well as many good books that you can purchase. The best
book that I have found is Ron Wodaski’s “The New CCD
Astronomy”. Although not focused specifically on the SAC
cameras, it covers the entire spectrum of equipment,
software and image processing techniques. Even after
years in this hobby I still use it, although the pages
are falling out of it.
When you are ready to move up to a really nice image
processing program, there are a few good titles out
there. AstroArt, MaximDL and Adobe Photoshop are my
weapons of choice. In my opinion, AstroArt is the most
cost effective and contains many advanced processing and
filtering features. There are also many free plug-ins
available to allow AstroArt to control a variety of CCD
cameras.
Registax is another good program, and is a free download
on the Internet. The combination of the small pixel size
of the SAC camera with a decent size telescope can make
extremely high resolution planetary and Lunar images
possible. If you shoot AVI movies with your SAC,
Registax will split the movie into its individual
frames, allow you to uncheck all the bad ones, and with
the press of a button will automatically align, stack
and process the movie into a single BMP file. There is
no easier way to process planetary and lunar images than
this. AstroVideo also has this capability but to a
lesser degree.
Before I close I want to
send a special THANK YOU to Bill Snyder and the
team at SAC Imaging for providing us with this fine
camera.
Dark skies,
Mark Estes, Digitec Optical - Email:
Mark Estes |